We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho

We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scholars such as Vincenzo Agnetti, Luciano Anceschi, Nanni Balestrini, Corrado Costa, Carlo Cremaschi, Giuliano della Casa, Mario Diacono, Gillo Dorfles, Luigi Ghirri, Franco Guerzoni, Eugenio Miccini, Achille Bonito Oliva, Elio Pagliarani, Claudio Parmiggiani, Edoardo Sanguineti, Adriano Spatola, Gian Pio Torricelli, Franco Vaccari, Paul Vangelisti, Emilio Villa, etc. All books are in fine condition and in first edition unless otherwise stated. The collection is sold as a whole

Autore: POESIA VISIVA/VISUAL POETRY

Tipografo:

Dati tipografici:

€ 70.000
oppure Chiedi ulteriori informazioni sull'opera
Marchi di accettazione PayPal

  1. ACCAME, Felice. Porta labore. Roma, Lerici editore (Marcalibri/11), 1969. 238x167 mm. Original wrappers with illustrated dust jacket.
  2. ADAMO, Giuseppe. Ossimori & Tautologie. Modena, Erigraf, 1972. 200x195 mm. Original illustrated wrappers. Limited edition of 400 copies. Inscribed by the author.
  3. AGNETTI, Vincenzo. 12 opere di Antonio Calderara. Milano, Vanni Scheiwiller (Ricerca contemporanea 3), 1970. 193x157 mm. 14 pp. and 12 plates. Original printed wrappers.
  4. AGNETTI, Vincenzo. Gli achromes di Piero Manzoni. Milano, Vanni Scheiwiller (Ricerca contemporanea 1), 1970. 193x157 mm. 21 pp. and 13 b/n plates. Original printed wrappers.
  5. AGNETTI, Vincenzo. Lettere dal deserto e altro. Introduzione di Gillo Dorfles. Milano, All'insegna del pesce d'oro (Strenna per gli amici di Paolo Franci), 1981. 142x101 mm. Portfolio containing: 1) Title; 2) Gillo Dorfles, Agnetti e il deserto; 3) Lettere dal Qatar, 1969; 4) Ciclo stile 1, 1970 (with a “Fotoritratto 1972” of Vincenzo Agnetti by Ugo Mulas); 5) Tre villaggi, 1977; 6) Photo-graffie, 1980-1981; 7) Nota dell'editore and colophon. Copy no. 262 of 300. Vanni Scheiwiller and Giorgio Lucini, eds.
  6. AGNETTI, Vincenzo. Ricerca contemporanea 2. Konzeptionelle Kunst. Milano, Vanni Scheiwiller (Officina d'Arte Grafica A. Lucini e C.), 1970. 191x157 mm. 22, [94] pp. Original printed wrappers (front cover dusty). Works by Agnetti, Calderara, Gappmayr, Girke, Jochims, Prantl, Wezel, and Zaffiri.
  7. AGNETTI, Vincenzo. Tesi. Milano, Giampaolo Prearo, 1972. 230x170 mm. Original wrappers with printed wraparound. Limited edition of 2000 copies.
  8. ALINARI, Luca-SANGUINETI, Edoardo. Fame di Tonno. Calcografica studio, 1981. 206x295 mm. Editor's illustrated hardcover.
  9. ALMANACCO INTERNAZIONALE DEI POETI 1973. Giancarlo Vigorelli, ed. Milano, Giorgio Borletti Editore, 1972. 240x165 mm. 392 pp. Original illustrated wrappers.
  10. ALMANACCO INTERNAZIONALE DEI POETI 1974. Milano, La Pergola, 1973. 240x170 mm. 159 pp. Original illustrated wrappers. Limited edition of 1000 copies.
  11. ANCESCHI, Luciano. Barocco e Novecento con alcune prospettive fenomenologiche. Milano, Rusconi e Paolazzi editori (“Biblioteca del Verri”), 1960. 200x140 mm. 267 pp. Wrappers with illustrated dust jacket.
  12. BALESTRINI, Nanni. Altri procedimenti. 1964-65. Milano, All'Insegna del Pesce d'Oro [Scheiwiller] (“Poesia novissima” 7), 1965. 155x155 mm. 61 pp. Illustrated wrappers. Copy 412 of 600.
  13. BALESTRINI, Nanni. Il sasso appeso. Milano, All'insegna del pesce d'oro (Scheiwiller), 1961. 120x120 mm. 39 pp. Illustrated wrappers. Copy 76 of 500.
  14. BALESTRINI, Nanni. Prendiamoci tutto Conferenza per un romanzo Letteratura e lotta di classe. Milano, Feltrinelli, 1972. 170x120 mm. 34 pp. Original printed wrappers.
  15. BALESTRINI, Nanni. Tristano. Romanzo. Milano, Feltrinelli, 1966. 195x125 mm. 126 pp. Illustrated boards with wraparound.
  16. BALLERINI, Luigi, ed. Scrittura visuale in Italia 1912-1972. Torino, Gallera Civica d'Arte Moderna, 1973. 290x210 mm. Illustrated wrappers. Exhibition catalogue: Torino, Gallera Civica d'Arte Moderna, 27 settembre - 28 ottobre 1973.
  17. BARUCH, Marion. O tempora. 3 poesie di Corrado Costa. Strenna per gli amici di Paolo Franci 1973-1974. Milano, Vanni Scheiwiller, 1973. 140x100 mm. Original illustrated wrappers with wraparound. Copy 101 of 300.
  18. BARUCHELLO, Gianfranco. La Quindicesima Riga. Roma, Lerici Editore (Marcalibri/1), 1968. 237x168 mm. Original illustrated wrappers and slipcase. (2 copies)
  19. BATISTI, Silvia. Costruzione per un delirio (preface by Giorgio Barberi Squarotti). Firenze, Quaderni di Salvo Imprevisti no. 2, 1975. 165x115 mm. 59 pp. Original illustrated wrappers.
  20. BEDINO, Dino. Poh!èmes visuels. Torino, Edizioni Geiger, 1974. With an introduction by Angelo Jacomuzzi. 298x209 mm. Original illustrated wrappers. Copy 48 of 325.
  21. BELTRAMETTI, Franco. Nadamas. Torino, Edizioni Geiger, 1971. 200x120 mm. 91 pp. Original illustrated wrappers.
  22. BERLINCIONI, Mario. Il Colpo di Grazia. Firenze, Techne, 1970 . 230x155 mm. 45 pp. printed on recto only. Original illustrated wrappers.
  23. BESSARIONE, Giuseppe. Lambro/Hobbit. La cultura giovanile di destra in Italia e in Europa. Roma, Arcana editrice, 1979. 200x140 mm. 174 pp. Original printed wrappers.
  24. BLAINE, Julien. Essai sur la sculpturale. Paris, Éditions Galerie Denise Davy, Paris, ca. 1965. 180x180 mm. Original illustrated wrappers.
  25. BONDONI, Simonetta M. Tacere e tra/dire. Sulla poesia di Corrado Costa. Mulino di Bazzano, Tam Tam, 1981. Tam Tam 26/A. 218x155 mm. 26 pp. Original illustrated wrappers. Drawings by Corrado Costa.
  26. BONIFAZI, Patrizia. Capitolo primo: malinconia. Per una editoria controcapitalistica. Bologna, Sampietro, 1972. 165x115 mm. 18 loose leaves as issued in an illustrated portfolio. No. 3 of the series “Underground (Eugenio Miccini, ed.).
  27. BONITO OLIVA, Achille, ed. Tre o quattro artisti secchi. Modena, Mazzoli Editore, 1978. 168x115 mm. 64 pp. Original illustrated wrappers. Con-Arte no. 1. The manifesto of “Transavanguardia”.
  28. BORY, Jean-François. Logorinthe (post-romanzo). Roma, Lerici editore (Marcalibri/15), 1969. 238x167 mm. Original wrappers with illustrated dust jacket.
  29. BUONFINO, Giancarlo. L'alibi di scorta. Roma, Lerici editore, 1968. 240x170 mm. Original illustrated wrappers. Marcalibri no. 7 edited by Magdalo Mussio.
  30. CADALORA, Mario-TEODORO, Federico C., eds. Aspetti dell'evoluzione artistica modenese nel secolo XX. Modena, Comune di Modena Assessorato alla cultura, 1975. 200x200 mm. Original printed wrappers. Exhibition catalogue.
  31. CARELLA, Simone-BENEDETTI, Ulisse-ROMANO, Mario-CORDELLI, Franco-WRIGHT, Gilles, eds. Primo festival internazionale dei poeti / First international festival of the poets. Roma – Castelporziano, Dossier Castel Porziano-Kane Editore, 28-29-30 giugno 1979. 430x314 mm. Original illustrated wrappers (small tear).
  32. CARREGA, Ugo. Poemi per azione. Roma, Lerici Editori (“Marcalibri n. 19”), 1969. 240x170 mm. First edition. Illustrated wrappers.
  33. CARTE SEGRETE rivista trimestrale di lettere e arti (anno III - aprile-giugno 1969 - n. 10). Domenico Javarone, ed. Roma, Edizioni Carte Segrete (Firenze, Casa Editrice G. C. Sansoni), 1969. 198x125 mm. 242 pp. Original illustrated boards.
  34. CARUO, Luciano. De Mona Doxo - loghia. Pollenza, La Nuova Foglio S.p.a., 1971. 342x244 mm.  60 pp. Illustrated wrappers (in the original transparent shipping bag).
  35. CELADA, Domenico. Arcobaleno Beat. Roma, Marini Editore 1970. 240x170 mm. 490 pp. Hardcover with illustrated dust jacket.
  36. CELLI, Giorgio. Gli eldoradi quotidiani e altre poesie. I quaderni del circolo degli artisti. Faenza, Arti grafiche, 2000. 150x150 mm. 59 pp. Original illustrated wrappers.
  37. CERATI, Giulio-ROSSI, Ivanna. Come si Cucinano gli Animali Fantastici. Reggio Emilia, Libreria del Teatro editrice, 1995. 190x128 mm. 100 pp. Original illustrated wrappers. Illustrations by Corrado Costa.
  38. CERVO VOLANTE 1-17/18 [complete series]. Adriano Spatola, Edoardo Sanguineti, & Achille- Bonito Oliva, eds. Roma, Etrusculudens Stamperia d'Arte, 1981-1984. 245x165 mm. All 15 issues (the final three have a double numbering) published between January 1981 and January-March 1984. Original marbled folders.
  39. COMITATO PROVINCIALE E REGIONALE DELL'AICS. Il laboratorio di poesia di Modena. Modena, Lo Spazio, [1980]. 240x170 mm. Original illustrated wrappers.
  40. COMPARONI, Raffele-D'ARZO, Silvio. Luci e penombre - Liriche. A cura di G. Pedullà. Reggio Emilia, Diabasis 2002. 297x184. 57 pp. Original illustrated wrappers.
  41. CONSAGRA, Pietro. Ci pensi amo. Milano, All'insegna del pesce d'oro (Tipografia Lucini), 1985. 168x118 mm. 94 pp. Original printed wrappers. Issue no. 147 of the series “Acquario”. Copy 10 of 1000.
  42. COPPINI, Giusi. “La invitiamo per il giorno”. Firenze, Edizioni Techne (Quaderni di “Techne” no. 16), 1971. 160x170 mm. Side-stapled original printed wrappers.
  43. COSTA, Corrado- XERRA, William, Tre poemi-Flippers. Milano, Studio Santandrea, 1972. 310x240 mm. Original illustrated wrappers.
  44. COSTA, Corrado-RUSPAGGIARI, Gianni. Ruspaggiari. L'Agrifoglio Galleria d'arte – via Montenapoleone, 21 – Milano. Dal 2 gennaio al 16 gennaio 1969. Folding broadsheet. 435x300 mm.
  45. COSTA, Corrado. Baruchello! Facciamo, una buona volta, il catalogo delle vocali. Poesia a colori di Corrado Costa per Gianfranco Baruchello (1977). Exit edizioni, 1979. 208x148 mm. Original illustrated wrappers.
  46. COSTA, Corrado. Eruzione / Erosione / Erozione / Erezione, muntagna 'e sfizio. Racconto breve. Milano, Galleria d'arte di Porta Ticinese, 1979. 203x149 mm. Printed wrappers. Limited edition of 300 copies.
  47. COSTA, Corrado. Guida del viaggiatore immobile a proposito di Obsoleto romanzo di Vincenzo Agnetti. Milano, Scheiwiller, 1968. 210x210 mm. 14 pp. Original side-stapled wrappers. Copy 233 of 500.
  48. COSTA, Corrado. Il fiume. Piacenza, Edizione del Vicolo del Pavone, 1987. 210x152 mm. 29 pp. Original illustrated wrappers. Copy 222 of 700.
  49. COSTA, Corrado. Inferno provvisorio. Milano, Feltrinelli, 1970. 215x127 mm. 125 pp. Original illustrated wrappers.
  50. COSTA, Corrado. Invisibile pittura. Roma, EITI Editrice Magma, 1973. 210x130 mm. 199 pp. Original illustrated wrappers. From the series Ostrakon edited by Carmine Benincasa.  (another copy signed by the author)
  51. COSTA, Corrado. L'equivalente. Milano, Vanni Scheiwiller, 1969. 175x120 mm. 81 pp. Original illustrated wrappers with glassine dust jacket. Copy 451 of 1000.
  52. COSTA, Corrado. La soddisfazione letteraria (Scrittura e orgasmo). Roma, Cooperativa scrittori, 1976. 205x125 mm. 53 pp. Original illustrated wrappers with wraparound.
  53. COSTA, Corrado. Le nostre posizioni. Torino, Edizioni Geiger (series “abcdefghijklmnopqrstuvwxyz” no. 1), 1972. 190x117 mm. 63 pp. Illustrated wrappers.
  54. COSTA, Corrado. Le nostre posizioni. Torino, Geiger, 1972. 190x115 mm. 63 pp. Original printed wrappers. First publication of the series “abcdefghijklmnopqrstuvwxyz”.
  55. COSTA, Corrado. Original drawing signed and dated 1974. 220x290 mm. The drawing was made (upside down) on the printed invitation for an exhibition of oriental carpets held by the Galleria Malair at the Abbazia di Torrechiara in Langhirano, Parma. € 450,00
  56. COSTA, Corrado. Pseudobaudelaire. Milano, All'insegna del pesce d'oro, 1964. 160x160 mm. 51 pp. Original illustrated wrappers (designed by Vittorio Cavicchioni). Copy 123 of 500. Dedication copy inscribed by the author.
  57. COSTA, Corrado. Pseudobaudelaire. Milano, All'insegna del pesce d'oro, 1964. 160x160 mm. 51 pp. Copy 369 of 500. Original printed wrappers. First Costa's publication.
  58. COSTA, Corrado. Santa Giovanna demonomaniaca. Roma, Editrice magma (Tipolitografia A.I.A.S.), “Daimon. Collana diretta da Carmine Benincasa”, 1973 (i.e. 1974). 215x125 mm. 96 pp. Original illustrated wrappers. (2 copies)
  59. COSTA, Corrado. The Complete Films. San Francisco & Los Angeles, Red Hill Press, 1983215x125 mm. 63 pp. Original illustrated wrappers (stained). Translated from the original Italian by Paul Vangelisti.
  60. COSTA, Corrado. William Blake in Beuhah. Milano, Squilibri Edizioni, 1977. 280x205 mm. Original illustrated wrappers.
  61. CRAVEIRINHA, José. Cantico a un dio di catrame. Joyce Lussu, ed. Milano, Lerici Editori, 1966. 210x125 mm. 128 pp. Original illustrated wrappers. Text in Portuguese and Italian.
  62. CREMASCHI, Carlo-DELLA CASA, Giuliano. carlo cremaschi / giuliano della casa. Torino, Geiger (Sperimentale 14), 1969. 119x162 mm. Original illustrated wrappers. Photographs by Franco Vaccari. Inscribed by Della Casa. We offer together 8 original photographs by Franco Vaccari showing Cremaschi preparing an art installation as well as a postcard by Giuliano della Casa (inscribed by him) about the same exhibition held at his gallery in Modena.
  63. CREMASCHI, Carlo. A me stesso. Testo in catalogo di Silvia Evangelisti. Con una poesia di Luigi Colli. Bologna, Tipolitografia Cervi, 2000. 217x158 mm. Original illustrated wrappers. Exhibition catalogue: Bologna, Studio Mascarella, 20 maggio-30 giugno 2000. With the invitation card to the inauguration.
  64. CUCCHI, Enzo. Testa è estensione della mente. Ancona, Accademia Simone Martini-Bugatti editore (Ostra Vetere, Tecnostampa), 1973. 212x235 mm. 47 pp. Original printed leather. Carlo Emanuele Bugatti, ed. Deluxe limited edition of 100 copy.
  65. D'ARZO, Silvio. Una storia così. Lettere per Ada. Poesie. Reggio Emilia, Diabasis, 1995. Edited by Giuliana Manfredi, Pietro Mussini and Sandro Scansani. 3 volumes. 293x185 mm. 46+44+32 pp. Original illustrated wrappers. Presented in the editor's illustrated slipcase.
  66. DAL MONTE, Gino. Ricerca del contrappeso. Firenze, Quaderni di Salvo Imprevisti no. 3, 1975. 165x115 mm. 77 pp. Illustrated wrappers.
  67. DAVICO BONINO, Guido. Prima cronaca generale. Torino, Edizioni Geiger (series “abcdefghijklmnopqrstuvwxyz” no. 2), 1973. 197x122 mm. 66 pp. Original printed wrappers (design: Luciano Anceschi).
  68. DE VREE, Paul. Poëzien. Milanino sul Garda, Amodulo, 1971. 240x215 mm. 63 pp. Original illustrated wrappers. Limited edition of 1000 copies.
  69. DELLA CASA, Giuliano-BADINI, Paolo. Le meraviglie dello spirito del senatore no. Racconti straordinari. Modena, Presso gli Autori (Fotolinotipia Borghi-Stampa Arbe), 1984. 340x240 mm. Copy 266 of 500. With the autograph signature and an original drawing by Della Casa. With 10 plates in text and one loose sheet with a color engraving signed by Della Casa. (another copy signed by Della Casa but without the loose sheet with the engraving)
  70. DELLA CASA, Giuliano-CAPPI, Alberto. Piccoli dei. Faenza, I quaderni del circolo degli artisti, 1994. 296x218 mm. Original illustrated wrappers. Text by Alberto Cappi. With 31 illustrations by Giuliano della Casa. Signed by Della Casa in red pencil.
  71. DELLA CASA, Giuliano-GHIRRI, Luigi. Della Casa. Modena, Grafiche S.T.I.G. (Genova, Edizioni Masnata), 1974. 212x158 mm. Original illustrated wrappers. With the autograph signature and an original drawing by Della Casa. Photographs by Luigi Ghirri. Together with a bright orange card “Specialità Della Casa” loosely inserted in the volume.
  72. DELLA CASA, Giuliano-MANZONI, Gian Ruggero. Diverrai un angelo. Faenza, I quaderni del circolo degli artisti, 1993. 297x208 mm. Original illustrated wrappers. Limited edition of 500 copies. Text by Gian Ruggero Manzoni, illustrations by Giuliano della Casa. Signature in pencil and watercolor by Della Casa.
  73. DELLA CASA, Giuliano-Osteria Francescana. Quaderni dell'Osteria Francescana 1. Con dieci tavole di Giuliano della Casa. Modena, July 1997. 239x159 mm. Original illustrated wrappers. Limited edition of 500 copies. Cover slightly worn.
  74. DELLA CASA, Giuliano-PHILIPPS, Dennis-VANGELISTI, Paul. Rent Party. Dennis Philipps: Cartographer Variations, III. Paul Vangelisti: For Emilio Villa & Giuliano della Casa. Design: Bosio Associati. Printed by L'Artistica Savigliano. Modena, Galleria Antonio Verolino, 2019. Folding illustrated broadsheet (480x360 mm) loosely preserved in illustrated boards. Signed in pencil by Della Casa under the initials “P.Y.” painted by him in red.
  75. DELLA CASA, Giuliano-VANGELISTI, Paul. Across Crosson & Paul. Modena-Los Angeles, Presso gli autori (L'Artistica Savigliano), 2015. 215x150 mm. 16 pp. Illustrated boards. With the autograph signature and an original drawing by Della Casa.
  76. DELLA CASA, Giuliano-VANGELISTI, Paul. Alfabeth 2007 Alfabeto 2007. Modena, Emilio Mazzoli Arte Contemporanea, 2007. 297x210 mm. Original printed wrappers. With 21 illustrations by Della Casa. With the autograph signature and an original drawing by Della Casa. Limited edition of 500 copies.
  77. DELLA CASA, Giuliano-VANGELISTI, Paul. Orizzontale Verticale. Modena-Los Angeles, Presso gli autori (L'Artistica Savigliano), 2018. 210x210 mm. 24 pp. Illustrated boards. With the autograph signature and an original drawing by Della Casa.
  78. DELLA CASA, Giuliano-VOLPATO, Elena-VANGELISTI, Paul. Gentile probabilità. Calcinelli, Ideostampa, 2003. 160x220 mm. Exhibition catalogue: Fotoeventi, Castello di Frontone, 8 giugno-20 luglio 2003.
  79. DELLA CASA, Giuliano. Alfabeto. Torino, Geiger (p/11), 1973. 150x110 mm. Illustrated wrappers (spine slightly cracked).
  80. DELLA CASA, Giuliano. Another mania Un'altra mania. Modena, Artesucarte, 2016. 150x210 mm. Original illustrated boards. With the autograph signature and an original drawing by Della Casa.
  81. DELLA CASA, Giuliano. Asino. VANGELISTI, Paul. Manuale Manual. Piacenza, Biffi Arte, 2011. 333x245 mm. One folding plate and [12] pp. Original illustrated boards. Copy 10 of 350.
  82. DELLA CASA, Giuliano. Ceramiche. Modena, Tipo-Litografi A.G., 1992. 240x170 mm. Original illustrated wrappers. Preface by Ernst H. Gombrich. Exhibition catalogue: Modena, Galleria Civica, 3 Ottobre - 6 Dicembre 1992.
  83. DELLA CASA, Giuliano. Civuoleocchio. Modena, AG Modena, 1991. 345x240 mm. [16] pp. Illustrated wrappers. With the autograph signature and an original drawing by Della Casa.
  84. DELLA CASA, Giuliano. Estetico calligrafico. Spilamberto, Ossimoro Galleria d'Arte, 2014. One folding broadsheet loosely inserted in a illustrated slipcase. Limited edition of 400 copies. Exhibition catalogue. (2 copies)
  85. DELLA CASA, Giuliano. Fiocchi di fiamma. Mirandola, Club La Marchesa, 2008. 150x150 mm. Original illustrated wrappers. With the autograph signature and an original drawing by Della Casa.
  86. DELLA CASA, Giuliano. In Forma di Libro 1967-1998. Modena, Comune di Modena, Assessorato alla cultura, 1998. 160x230 mm. 121 pp. Original illustrated wrappers. Exhibition catalogue: Biblioteca civica L. Poletti, dicembre 1998-febbraio 1999. With the autograph signature and an original drawing by Della Casa.
  87. DELLA CASA, Giuliano. L'albero delle more. Roma, Tommaso Cascella Editore, 1979. 350x260 mm. 36 pp. Copy 80 of 150. Illustrated wrappers, slipcase.
  88. DELLA CASA, Giuliano. La macchina dei miracoli. Cagli, Edizioni Galleria BelloSguardo, 1985. 165x120 mm. 86 pp. Original illustrated wrappers. With the autograph signature and an original drawing by Della Casa.
  89. DELLA CASA, Giuliano. Motopoem. Torino, Geiger (Sperimentale/20), 1971. 278x198 mm. Original illustrated boards. With the autograph signature and an original drawing by Della Casa. Copy 165 of 200.
  90. DELLA CASA, Giuliano. Oh well. Modena, Edizioni Galleria Mazzoli, n.d. 342x240 mm. Original Copy 233 of 300. Poems by John Thomas, Martha Ronk, Paul Vangelisti & Peter Whigham.
  91. DELLA CASA, Giuliano. Poesia di terracotta. Venezia, Materia prima Arts & Crafts (Modena, Tipografia AG), 1997. 210x125 mm. Wrappers with dust jacket.
  92. DELLA CASA, Giuliano. Riferimenti – 18 dicembre / 28 dicembre 1973. Visual Art Center. Napoli, Studio Boenzi – Jacobelli, 1973. 287x214 mm. Original decorated wrappers. 3 photographs by Albino Cavazzuti e Luigi Ghirri. One of the 100 copies signed by Della Casa.
  93. DELLA CASA, Giuliano. Tutto il teatro è diviso in tre parti… Gli acquerelli di Giuliano della Casa per i Teatri di Reggio Emilia. Reggio E., Edizioni del Teatro Municipale Valli, 1998. 240x165 mm. Original illustrated wrappers.
  94. FAGGI, Vico, ed. Davide Scarabelli. Vignola, 1972. 197x214 mm. Original printed wrappers. Exhibition catalogue, Vignola, 2-23 December 1972.
  95. FAIETTI, Alberto. Morte per elaboratore. Privately printed (Milano, Intergraf), 1968. 210x149 mm. 135 pp. Original illustrated wrappers. (another copy with the original printed wraparound band)
  96. FAIETTI, Alberto. Testamento di intenzionalità. Milano, Edizioni di Vanni Scheiwiller (“Il Quadrato” 39), 1978. 190x190 mm. Original illustrated wrappers. Copy 345 of 500.
  97. FALZONI, Mauro. In margine. Firenze, Tipografia Nazionale, 1973. 165x115 mm. 41 pp. Original illustrated wrappers. Quaderni di “Collettivo r”.
  98. FERRARI, Fabrizio. Poesie. Quaderni Sorbo Rosso. Suppl. al numero 11 di Sorbo Rosso. (Castelliri, Enzo Mancini, 1981). 170x120 mm. 15 pp. Original illustrated wrappers.
  99. FINOTTI, Carlo. Poesia. Milano, Mercato del Sale Associazione Culturale, 1982. 210x150 mm. Original printed wrappers.
  100. FO, Dario. Ci ragiono e canto. Rappresentazione popolare in due tempi su materiale originale curato da Cesare Bermani e Franco Coggiola. Milano, Edizioni musicali Bella Ciao, 1966. 240x100 mm. 91 pp. Original illustrated wrappers.
  101. FOGLIATI, Piero-LORA TOTINO, Arrigo. Il liquimofono congegno generatore di musica liquida e la poesia liquida inflessioni tuffate nell'idromegafono. Torino, Edizioni Studio di Informazione Estetica – Milano, Vanni Scheiwiller, 1968. 200x210 mm. Copy 576 of 1000, signed by the author. With the vinyl record made by Fonit Cetra of Turin.
  102. FONTANA, Franco. Franco Fontana. Cognento, Franco Fontana Studio, s.d. 120x90 mm. Illustrated wrappers.
  103. FONTANA, Franco. Landschaften. Graz, Fotogalerie im Forum Stadtpark, 1975. 210x210 pp. With 13 color plates. Printed paperback with spiral binding (slightly dusty and stained). Exhibition catalogue.
  104. FRANDI, Aldo. Pöesie. Firenze, Quaderni di “Techne” (n. 12), 1969. 317x215 mm. Original illustrated wrappers.
  105. FRATINI, Cristina. Non me lo dire, non posso crederci. Firenze, Quaderni di “Techne” (n. 2), 1969. 305x216 mm. 31 pp. Original illustrated wrappers with printed wraparound band.
  106. GALLERIA BRETON. Il vento dell'est degli anni ‘20 Alexander Bortnyik - Natalia Goncarova - Wassilli Kandinsky - Lajos Kassàk - El Lissitzkij - Làszlò Mohly-Nagy - Ivan Puni - Alexander Rodzenko - Vladimir Tatlin. Milano, Galleria Breton, 1971. 240x170 mm. 8 pp. Original side-stapled illustrated wrappers. Exhibition catalogue.
  107. GALLERIA FLORI. Firenze Via Martelli, 4. 1971/1972 n° 3. 395x295 mm. Illustrated wrappers (small tear), later protective slipcase. Exhibition catalogue: Jürgen Paatz, Giuliano della Casa, Carlo Cremaschi, Franco Guerzoni, Gianni Ruffi, etc. With a text (“Apologetica”) by Eugenio Miccini.
  108. GAZZOLA Eugenio, ed. Malebolge. L'altra rivista delle avanguardie. Prefazione di Walter Pedullà. Postfazione di Giorgio Celli. Reggio Emilia, Diabasis, 2011. 210x210 mm. 402 pp. Original printed wrappers.
  109. GHERARDI, Marco. Americalice. Roma, Lerici Poesia, 1968. 210x125 mm. 92 pp. Original illustrated wrappers.
  110. GHIRRI, Luigi-REGGIO EMILIA JAZZ 1979. Foto Jazz. Immagini dalla rassegna. Reggio Emilia, Teatro Municipale, Sale ex Cibotto, 22 dicembre 1979 - 3 gennaio 1980. 210x210 mm. 23 pp. and 41 photographs by Walter Baricchi, Vanni Codeluppi, Franco Davoli, Ercole Fava, Luigi Ghirri, Maurizio Mantovi. Printed wrappers.
  111. GHIRRI, Luigi. Colazione sull'erba. Modena, Comune di Modena Assessorato alla Cultura e al Tempo Liberto (Grafiche Stig), 1975. 210x150 mm. Original printed wrappers. Texts by Massimo Mussini e Roberto Alessandro Salbitani. Exhibition catalogue: Modena, Galleria Civica d'Arte Moderna, 2-22 febbraio 1975. First published in Pisa by Galleria Fotografica Nadar in 1974.
  112. GHIRRI, Luigi. Fotografie 1970-1971. Modena, Tipografia Samar, 1972. 211x155. Original printed wrappers. Text by Franco Vaccari. Exhibition catalogue: Modena, Hotel Canalgrande, 21 dicembre 1972-3 gennaio 1973.
  113. GHIRRI, Luigi. Il giardino di tutti. Storia dei Giardini Pubblici di Reggio Emilia. Reggio Emilia, Biblioteca Panizzi, 1991. 220x221 mm. 88 pp. Original illustrated wrappers. Texts by Virgilio Vercelloni, Walter Baricchi, Paola Cardelli, Alessandro Chiusoli, Elisabetta Bufferli, Marcella Minelli, Antonio Ferretti, Luigi Ghirri. Photographs by Luigi Ghirri, Marcello Grassi, Claudio Cigarini, Fototeca Panizzi.
  114. GHIRRI, Luigi. Kodachrome. Modena, Punto e Virgola (Grafiche Stig), 1978. 258x205 mm. 103 pp. Original illustrated wrappers. Text by Piero Berengo Gardin.
  115. GHIRRI, Luigi. Paesaggi di cartone. Milano, Il Diaframma (Modena, Tiplit Samar), 1974. 230x240 mm. Original illustrated wrappers. Text by Massimo Mussini.
  116. GIGLI, Piero. Tavola Parolibera Futurista. Torino, Geiger, 1975. 225x18 mm. Folding broadsheet within a printed slipcase. Dedicated to Giuliano della Casa. No. 41 of 200.
  117. GIORGI, Rubina. La riflessione simbologica. Roma, Lerici editore (Marcalibri/13), 1968. 238x167 mm. Original wrappers with illustrated dust jacket.
  118. GIULIANI, Alfredo, ed. I novissimi. Poesie per gli anni '60. Milano, Rusconi e Paolazzi Editori (“Biblioteca del Verri”), 1961. 200x130 mm. 195 pp. Hardcover with illustrated wraparound. Texts by Nanni Balestrini, Alfredo Giuliani, Elio Pagliarani, Antonio Porta, Edoardo Sanguineti. The manifesto of “Gruppo ‘63”. (another copy without the illustrated wraparound)
  119. GLISENTI, Marcella. Bianco contro bianco. Roma, Lerici editore, 1970. 210x125 mm. Original printed wrappers.
  120. GLISENTI, Marcella. L'invasione verticale. Roma, Lerici editore, 1968. 210x125 mm. Original printed wrappers.
  121. GRUPPO 63. Il romanzo sperimentale. Palermo 1965. Milano, Feltrinelli, 1966. 206x127 mm. 186 pp. Original illustrated wrappers. Nanni Balestrini, ed. With 12 photographs by Giulia Niccolai.
  122. GUERZONI, Franco-GHIRRI, Luigi. Nessun luogo da nessuna parte. Viaggi con Luigi Ghirri. Giulio Bizzarri, ed. Milano, Skira, 2014. 240x165 mm. 159 pp. Original illustrated wrappers.
  123. GUERZONI, Franco-MATTIOLI, Emilio. Corrispondenze (1978/2003). Edizioni Rue Larrey, 2003. 315x265 mm. Copy nr. 16 of 40. Non-commercial edition. Inscribed by the author. Preserved in cardboard box (by Studio due). Blind printing by Roberto Gatti.
  124. GUERZONI, Franco. Ο?τις [Outis]. Reggio Emilia, Pari & Dispari, 1973. 344x245 mm. Copy XVIII of XX copies signed by the author and accompanied by a cliché also signed by the author. Printed wrappers. Book and cliché within a box (worn and opened at the bottom).
  125. GUERZONI, Franco. 7 Quadri mai Visti. Parma, Maura Cocchi Arte Contemporanea, 1997. 330x245 mm. 34 pp. Original printed wrappers with see through parchment dust jacket. Copy 27 of 1000. With the invitation to the inauguration of the exhibition (19 October 1996).
  126. GUERZONI, Franco. Affreschi. Torino, Edizioni Geiger (Modena, Grafiche Stig), 1973. 235x170 mm. Original wrappers. Copy 285 of 300. Dedicated and inscribed by the author. A few leaves detached. (another copy, no. 88, dedicated and inscribed by the author)
  127. GUERZONI, Franco. Carta di viaggio. Bologna, Grafis (Salone Villa Romana-Firenze), 1983. Folding broadsheet. Original illustrated wrappers. Limited edition of 500 copies.
  128. GUERZONI, Franco. Decorazioni e rovine. Edizioni Essegi (Litografia Faenza), 1990. 310x310 mm. Hardcover with dust jacket. One of 50 copies accompanied by an original plate (“Di notte in soffitta”, acquaforte and puntasecca) numbered and signed by the author. Inscribed by the author.
  129. GUERZONI, Franco. Ipotesi per tutte le montagne cinesi (1978/2004). Edizioni Rue Larrey, 2004. Printed brochure and 14 loose plates. All preserved in a cardboard box. Copy 23 of 25 signed by the author.
  130. GUERZONI, Franco. La parete dimenticata Disegni di Franco Guerzoni. Modena, Tipografia Panaro, 1988. 290x217 mm. One of 50 copies (out of print run of 500) containing an original engraving signed and numbered (16) by the author. All preserved in the original printed cardboard box.
  131. GUERZONI, Franco. Mandala, gioco scenico in due atti. Alice Bizzarri, ed. Edizioni Rue Larrey, 2003. 248x260 mm. Editor's cardboard box containing a cd rom, a book and a piece of ceramics (by Elisabetta e Marco Morandi. Copy 50 of 100. Photographs and videos by Davide Tranchina.
  132. GUERZONI, Franco. Oeuvre. Appunti per un manuale di pittura. Notes for a painting manual. Milano, Skira editore, 2017. 170x120 mm. Hardcover with dust jacket. Inscribed by the author.
  133. GUERZONI, Franco. Orienti. Pier Giovanni Castagnoli, ed. San Martino in Rio, Venturini & C., 2000. 310x230 mm. 124 pp. Exhibition catalogue: Ferrara, Padiglione d'Arte Contemporanea di Palazzo Massari, 12 dicembre 1999-31 gennaio 2000. Photographs by Luigi Ghirri, Dario Bertuzzi and Franco Vaccari. Inscribed by the author.
  134. GUERZONI, Franco. Paesaggi romani. Exit Edizioni & Ginevra Grigolo Edizioni, 1980. Four plates and 1 printed sheet gathered in the original morocco slipcase. 295x198 mm. Copy no. 50 of 50 signed by the author in pencil.
  135. GUERZONI, Franco. Statue come pietre pietre come libri. Bologna, Grafis, 1980. 405x280 mm. Original printed boards. Number I of XXX copies signed by the author.
  136. GUERZONI, Franco. Viaggi randagi con Luigi Ghirri. A cura di Giulio Bizzarri. Reggio Emilia, CCPL, 2012. 319x240 mm. 79 pp. Original printed wrappers. Privately printed for the author. Inscribed by the author.
  137. GUGLIELMI, Guido-PAGLIARANI, Elio. Manuale di poesia sperimentale. Milano, Mondadori, 1966. 208x152 mm. 368 pp. Hardcover with illustrated dust jacket and slipcase. Poetic anthology by: N. Balestrini, B. Cattafi, L. Erba, G. Giudici, A. Giuliani, G. Guglielmi, F. Leonetti, G. Orelli, E. Pagliarani, P.P. Pasolini, A. Porta, G. Raboni,R. Roversi, E. Sanguineti, A. Spatola, P. Volponi, A. Zanzotto. (another copy without slipcase)
  138. IL DISSENSO 5. Nanni Balestrini – Achille Bonito Oliva - Danilo Giorgi – Luca. Poesie visive (Lamberto Pignotti, ed.). Bologna, Sampietro, 1965. 170x120 mm. 20 loose plates within an illustrated slipcase.
  139. IL DISSENSO nuova serie uno (Enrico Riccardo Sampietro, ed.). Michele Perfetti, Siamo uomini o consumatori. Bologna, Donatella Sampietro editore, 1968. 165x120 mm. 20 loose plates within an illustrated slipcase, original printed wraparound preserved. Limited edition of 1500 copies.
  140. ISGRÒ, Emilio. Poesie per un natale. Cartoline Sampietro. Bologna, Sampietro editore, n.d. 150x105 mm. 10 illustrated postcards kept together by a printed wraparound.
  141. KRIM, Seymour, ed. I Beats. Milano, Lerici Editori, 1962. 217x135 mm. 318 pp. Hardcover. Lacking the illustrated dust jacket. Italian edition edited by Marisa Bulgheroni.
  142. LERICI EDITORI. Catalogo generale / aprile 1963. Milano, Lerici Editori, 1963. 158x81 mm. Original illustrated wrappers.
  143. LERICI, Roberto. Racconto. Milano, All'insegna del pesce d'oro, 1964. 160x160 mm. 35 pp. Original printed wrappers. Volume no. 14 of the series “Il Quadrato” (Bruno Munari, ed.). Copy 226 of 550.
  144. LIOTTA, Antonio. Token battericida materiale poetico di sintesi originale. Favara, Ades edizioni, 1976. 240x240 mm. 34 pp. Original illustrated wrappers.
  145. LOCCI, Bruno. Il gallo di Gallura. The cook of Gallura. Milano, Giancarlo Politi Editore, 1976. 165x240 mm. Original illustrated wrappers (some foxing). Limited edition of 1000 copies.
  146. LOLINI, Attilio. Negativo parziale. Firenze, Quaderni di Salvo Imprevisti no. 1, 1974. 175x113 mm. 64 pp. Original illustrated wrappers.
  147. LOTTA POETICA 8 / gennaio 1972. Sarenco & Paul de Vree, eds. Milanino sul Garda, Edizioni Amodulo, 1972. 257x209 mm. 18 pp. Original illustrated wrappers.
  148. LOTTA POETICA. 13-14 / giugno-luglio 1972. Sarenco & Paul de Vree, eds. Milanino sul Garda, Edizioni Amodulo, 1972. 257x213 mm. Original illustrated wrappers.
  149. LOTTA POETICA. 15-16 / agosto-settembre 1972. Sarenco & Paul de Vree, eds. Milanino sul Garda, Edizioni Amodulo, 1972. 252x211 mm. Original illustrated wrappers.
  150. LOTTA POETICA. 44-50 / gennaio-luglio 1975. Sarenco & Paul de Vree, eds. Brescia, Tipolito Maghina, 1975. 240x200 mm. 6 issues bound together in a cloth binding: 44 (Aldo Mondino); 45 (Arias-Misson); 46 (Joseph Beuys); 47 (Jean-Francois Bory); 48 (Franco Fabiano); 49-50 (Jiri Kolar).
  151. LUSSU, Joyce, ed. Tre poeti dell'Albania di oggi Migjeni Siliqi Kadare. Roma, Lerici Editore (Poesia 10), 1969. 210x125 mm. 89 pp. Original illustrated wrappers.
  152. MALAVASI, Adriano. Gelati. Prefazione di Roberto Barbolini. Exit Edizioni, 2000. 235x170 mm. 60 pp. Limited edition of 500 copies, 100 with the author's portrait.
  153. MALAVASI, Adriano. Illustrated and signed postcard send to a friend in Modena. 1968. 107x150 mm. € 150,00
  154. MALAVASI, Adriano. O Babel. Torino, Geiger (Sperimentale/3), 1968. 190x115 mm. 53 pp. Designed by Claudio Parmiggiani. Original wrappers. First Malavasi's artist book.
  155. MALAVASI, Adriano. Unci dunci. Disegni di Claudio Parmiggiani, Giuliano della Casa, Carlo Cremaschi, Franco Guerzoni, Wainer Vaccari. Exit edizioni, 1992. 195x145 mm. Softcover. With an updated biography of the Adriano Malvasi's adventurous life. Limited edition of 500 copies. (2 copies)
  156. MALEBOLGE Rivista di letteratura. Four issues [all published]. Milano, Scheiwiller-Mursia, 1964-1967. 4 vols. 210x210 mm. Original printed wrappers (original printed wraparound bands preserved in two volumes). Anno I n° 1 (Reggio Emilia, Tipografia Tecnostampa, 1964): 65 pp.; Anno I n° 2 (Reggio Emilia, Tipografia Tecnostampa, 1964): 88 pp. Illustrations by Carla Accardi and Nino Squarza (we offer 2 copies of this issue); Quaderno n° 3/4, autunno 1966 (Brescia, La Nuova Cartografica): 72 pp. Copy 27 of 1200; Quaderno n° 1 primavera/estate 1967 (Brescia, La Nuova Cartografica): 87 pp. Copy 394 of 1200. Official journal of Gruppo 63. Among the authors are G. Celli, C. Costa, A. Porta, A. Spatola, V. Accame E. Sanguineti, N. Balestrini, P. Carta, G. Anceschi, A. Gozzi, L. Gozzi R. Pedio, A. Guglielmi, U. Eco, G. Testa, Patrizia Vicinelli, and Gian Pio Torricelli.
  157. MALEVICH, Kasimir. Kasimir Malevic. Milano, Galleria Breton, 1971. 240x168 mm. 40 pp. Original side-stapled illustrated wrappers. Exhibition catalog. Introduction by Franz Meyer. Includes two color and several black and white illustrations.
  158. MARCATRÈ. Rivista de Cultura Contemporanea. Nos. 1 (November 1963) - 60 (July 1970) [of 66]. 22 vols. [of 25]. 205x195 mm. Original illustrated wrappers. The almost complete series lacking only nos. 61-67 which appeared in 3 volumes up until July 1972 (no. 63 was never published, nos. 64-65 have the title changed in "Marcazero" with cover title "Marca 3", nos. 66-67 are entitled "Marcauno" with cover title "Marca 3"). An almost complete run of this famous journal founded by Eugenio Battisti and associated with the writers of Il Verri and Gruppo 63, notably among them Gillo Dorfles, Edoardo Sanguineti, Umberto Eco, Paolo Portoghesi, Enrico Crispolti, etc.
  159. MARCHESCHI, Laura. Diario di Mexico City. Napoli, Continuum, 1968. 300x220 mm. Side-stapled printed wrappers. Copy 98 of 100 signed by the author.
  160. MARCUCCI, Lucia. Nove stanze. Bologna, Sampietro, 1972. 165x115 mm. 9 loose double folding leaves as issued in an illustrated portfolio. No. 6 of the series “Underground (Eugenio Miccini, ed.).
  161. MARCUCCI, Lucia. Poesia visive. Brescia, Studio Brescia, 1973. 165x115 mm. Original printed wrappers. Exhibition catalogue: Brescia, Studio Brescia, 18 aprile 1973.
  162. MARINAI, Aroldo-MARILLI, Silvia. Clair de Lune. Firenze, privately printed, 1982. 110x80 mm. Copy 486 of 500.
  163. MARINAI, Aroldo-MARILLI, Silvia. Frogmen. Un segno sui muri come per caso. Firenze, Il Candelaio edizioni, 1980. 210x140 mm. 62 pp. Original printed wrappers.
  164. MARINAI, Aroldo. Lui(s). 1978/1982. No. 40 of 50 numbered and signed by the author. 220x125 mm. Side-stapled printed wrappers.
  165. MARTINI, Steliomaria. Neurosentimental. Napoli, Edizione Morra, 1983. 235x160 mm. Illustrated wrappers.
  166. MCGOUGH, Roger-DELLA CASA, Giuliano. La magica pallina da tennis. Milano, Medusa Edizioni, 2003. 150x115 mm. Original illustrated wrappers. With the autograph signature and an original drawing by Della Casa.
  167. MICCINI Eugenio-MOSCHINI, Maria Pia. ριζ?ματα (Rizomata). Firenze, Tavarnelle Val di Pesa, “Edizioni DADA Arte Moderna”, 1983. 150x210 mm. Original illustrated wrappers.
  168. MICCINI Eugenio-RUSSO Vitantonio. Dia grammatica 1. Firenze, Téchne, 1973. 225x155 mm. 14 loose plates within an illustrated slipcase. Limited edition of 400 copies.
  169. MICCINI, Eugenio, ed. “Teatro” 2. Firenze, Quaderni di “Techne” (n. 14), 1970. 330x217 mm. Illustrated wrappers.
  170. MICCINI, Eugenio. Arte contemporanea e discriminazione assiologica. Un'ipotesi morfologica. Roma, Fantini editrice, 1975. 210x235 mm. 95 pp. Cloth with illustrated dust jacket (small tear). Contributions by Ugo Barlozzetti, Mirella Bentivoglio, Germano Beringheli, Antonio Bueno, Omar Calabrese, Lino Centi, Renzo Chini, Carlo Cioni, Rene Deroudille, Daniele Lombardi, Jean-Michel Foray, Lara Vinca Masini, Eugenio Miccini, Egidio Mucci, Gaincarlo Pacini, Rene-Yves Robert, Sarenco, Enzo Spera, Simone Viani.
  171. MICCINI, Eugenio. Caro oggetto. Firenze, La Piramide, 1979. 140x100 mm. 24 loose leaves as issued in original portfolio.
  172. MICCINI, Eugenio. Liber. Firenze, Edizioni Téchne, 1981. 172x125 mm. Original printed wrappers.
  173. MICCINI, Eugenio. Medagliere (1972-1974). Napoli, Visual Art Center (Tipografia Antonio del Giudice), 1975. 87x67 mm. Copy 80 of 200. Pattern 16. Illustrated printed wrappers.
  174. MICCINI, Eugenio. Poesie visive 1962-1970. Firenze, Edizione “Techne” (Quaderno n. 6 Supplemento al n. 7), novembre 1970. 227x160 mm. Original illustrated wrappers. (another copy on thicker paper and with illustrated boards)
  175. MICCINI, Eugenio. Sonetto minore. Firenze, Vallecchi, 1964. 215x137 mm. 82 pp. Original wrappers and dust jacket.
  176. MODENA Sala Comunale della Cultura 22 aprile 1971. Mostra dei progetti partecipanti al concorso nazionale di idee per un parco urbano intitolato alla Resistenza. Modena, Comune di Modena, 1971. 220x220 mm. Original illustrated wrappers.
  177. MUNARI, Bruno. La scoperta del cerchio. Milano, Vanni Scheiwiller, 1964. 155x155 mm. 82 pp. Illustrated wrappers with wraparound. Press run: 3000 copies.
  178. MUSSIO, Gianmaria. Mare verde mare rosso. Roma, Lerici editore, 1969. 250x200 mm. Original illustrated wrappers.
  179. MUSSIO, Magdalo. Praticabile per memoria concreta. Roma, Lerici, (Marcalibri/20), 1970. 240x170 mm. Original illustrated wrappers with wraparound.
  180. MUSSIO, Magdalo. Scritture. Pollenza, La Nuova Foglio Editrice, 1977. 280x215 mm. Illustrated wrappers (in the original transparent shipping bag).
  181. NANNUCCI, Maurizio-BARBIELLINI AMIDEI, Rosanna, eds. Mèla. a/per/iodico di scrittura ed immagini da marciana isola d'elba numero uno estate/autunno 1976. Firenze, Stiav, 1976. Folding broadsheet (slightly browned). 1000x70 mm. 30 pp. No. 1 of 5 issue published between 1976 and 1981. Limited edition of 500 copies. Texts by Sol Lewitt, Claudio Parmiggiani, Adriano Spatola, Gianfranco Baruchello, etc.
  182. NICCOLAI, Giulia. Greenwich. Torino, Edizioni Geiger, 1971. 147x147 mm. Original illustrated wrappers. Geiger Sperimentale no. 21. Luciano Anceschi, ed. Copy 17 of 450.
  183. NICCOLAI, Giulia. Humpty dumpty. Torino, Edizioni Geiger, 1969. 150x108 mm. 36 pp. Original illustrated wrappers. Geiger poesia 1. Luciano Anceschi, ed.
  184. NICCOLAI, Giulia. Il grande angolo. Romanzo. Milano, Feltrinelli (“Le Comete” 43), 1966. 209x125 mm. 136 pp. Original illustrated wrappers.
  185. NORI, Paolo-DELLA CASA, Giuliano. I libri devono essere magri. Mantova, Tre Lune edizioni, 2008. 210x130 mm. 56 pp. Original illustrated wrappers. With the autograph signature and an original drawing by Della Casa.
  186. NORTH 4 (ottobre 1976). Ugo Pitozzi, Aida Maria Zoppetti, Massimo Gualtieri, eds. Bergamo, 1976. 214x145 mm. 83 pp. Original side-stapled illustrated wrappers.
  187. NOVELLI, Gastone. Antologia del possibile. Milano, Vanni Scheiwiller, all'Insegna del Pesce d'Oro, 1962. 155x155 mm. 68 pp. Illustrated wrappers. Copy 5 of 1000.
  188. ORI, Luciano. Estremamente Variabile. Firenze, Edizioni Techne, 1970. 220x160 mm. Original printed wrappers.
  189. ORI, Luciano. Quotidiana. Poesie tecnologiche 1964-1968. Firenze, Edizioni Techne, 1972. 223x159 mm 107 pp. Original printed wrappers.
  190. OSTI, Maurizio. Torino, Edizioni Geiger (“Sperimentale nr. 23”), 1972. 208x208 mm. Illustrated wrappers. Prefatory texts (in Italian and English) by Paolo Fossati and Maurizio Osti. Light dampstains towards the end of the volume.
  191. PACUS, Stanislao. La commozione dell'utopia. The emotion of the utopia. Die Rühring der Utopie. Milano, Giancarlo Politi editore, 1977. 210x155 mm. Original illustrated wrappers. Limited edition of 1000 copies.
  192. PAGLIARANI, Elio-PACCAGNINI, Angelo. Le sue ragioni. Prefazione di Piero Santi. NEGRI, Gino. Giorno di nozze. Prefazione di Massimo Mila. Due libretti per musica. Milano, Rusconi e Paolazzi Editori( “Quaderni del Verri” no. 3, Luciano Anceschi, ed.). 197x127 mm. 97 pp. Original illustrated wrappers with dust jacket.
  193. PAGLIARANI, Elio. La ragazza Carla e altre poesie. Milano, Mondadori (“Il tornasole. Collezione di letteratura diretta da Niccolò Gallo e Vittorio Sereni”), 1962. 177x120 mm. 106 pp. Original illustrated wrappers. Inscribed by the author.
  194. PAGLIARANI, Elio. Lezione di fisica. Milano, All'insegna del pesce d'oro, 1964. 155x155 mm. 52 pp. Original illustrated wrappers (by Giò Pomodoro). Copy 252 of  500.
  195. PALAZZOLI, Daniela, ed. I denti del drago. Le trasformazioni della pagina e del libro. Milano, L'uomo e l'arte, 1972. 297x210 mm. Original printed wrappers.
  196. PALLIGGIANO, Maria. In cinque tempi (1969). Napoli, Visual Art Center (Tipografia Antonio del Giudice), 1975. 87x67 mm. Copy 83 of 200. Pattern 38. Illustrated printed wrappers.
  197. PALMERY, Gianfranco. La luna. Roma, Lerici editore, 1969. 245x170 mm. Original illustrated wrappers.
  198. PANICCIA, Nicola. Oggetto linguistico. Torino, Edizioni Geiger, 1973. 155x105 mm. 60 pp. Original printed wrappers. Geiger poesia 12. Luciano Anceschi, ed. Preface by Adriano Spatola.
  199. PARI EDITORI & DISPARI - REGGIO EMILIA. Reggio Emilia, 1970-1973. Collection of 11 publications edited by Pari & Dispari together with the “Elenco delle opere edite da Pari & Dispari” (September 1973), all preserved between two wooden boards held together by two strings. 210x210 mm. Works by Mario Ceroli, Agostino Bonalumi, Giulio Bizzarri, Claudio Parmiggiani, Giovanni Rubino, Rafael Alberti, Valerio Miroglio, Franco Guerzoni, Giuseppe Desiato, Giuliano della Casa.
  200. PARMIGGIANI, Claudio-SPATOLA, Adriano, ed. Parole sui muri [Fiumalbo 1967]. Torino, Edizioni Geiger (Sperimentale n. 7, Modena, P. Toschi), 1968. 195x140 mm. 94 pp. Original illustrated wrappers. Photographic account of the famous artistic meeting that took place in Fiumalbo, near Modena, on 8-18 August 1967. Contributors Emilio Mattioli, Gian Pio Torricelli, Corrado Costa, etc.
  201. PARMIGGIANI, Claudio. Carte nere. Milano, Mazzotta, 1990. 357x250 mm. 14 pp., 44 plates, and 1 loose original plate singed by the author. Illustrated hardcover, slip-case. Copy 129 of 900.
  202. PARMIGGIANI, Claudio. Impronte n. 43 di claudio parmiggiani testo di vincenzo agnetti. Torino, Edizioni Geiger, June 1968. 175x200 mm. Copy no. 70 of 350. Original printed wrappers (dusty edges).
  203. PARMIGGIANI, Claudio. Impronte n. 43 di Claudio Parmiggiani. Testo di Vincenzo Agnetti. Torino, Edizioni Geiger (Modena, Tipografia S.T.E.M. Mucchi), 1968. 175x200 mm. Original printed wrappers. Copy 133 of 350.
  204. PARMIGGIANI, Claudio. Premio Bolaffi 1977 Claudio Parmiggiani. Catalogo nazionale d'arte moderna n. 12. Torino, Giulio Bolaffi, 1977. 280x245 mm. Original wrappers. Original Texts by Renato Barilli, Paolo Fossati, Bruno Corà, Daniela Palazzoli, and Henry Martin. B/w illustrations, pp. 32.
  205. PARMIGGIANI, Claudio. Stella sangue spirito. Parma, Nuova Pratiche Editrice, 1995. 163x105 mm. 235 pp. Hardcover. Signed by the author.
  206. PASSI, Mario-POVOLINI, Luca. Modena '77 una Città, un Festival. Modena, Festival Nazionale de l'Unità, 1977. 211x278 mm. Original illustrated wrappers. Photographs by Cesare Leonardi.
  207. PEDULLÀ, Walter-CASTELLI, Silvana-GIOVANARDI, Stefano. La letteratura emarginata i narratori giovani degli anni '70. Roma, Lerici, 1978. 210x140 mm. 231 pp. Original illustrated wrappers.
  208. PICCOLO, Emilio. Cronaca. Napoli, Continuum, 1973. 305x228 mm. Copy 8 of 300. Signed by the author.
  209. PINI, Giuliana-COSTA, Corrado. La Prncipessa sul Pisello. Modena, Edizioni Images & Life, 1991. 240x170. Original illustrated wrappers. With 8 mounted colored plates. 2 copies, one printed on black and one on green paper.
  210. Pollenza, La Nuova Foglio S.p.a., 1971. 342x244 mm. 78 pp Illustrated wrappers (in the original transparent shipping bag). Limited edition of 120 copies.
  211. PORTA, Antonio-RABONI, Giovanni, eds. Pin Pidìn. Poeti d'oggi per bambini. Milano, Feltrinelli, 1978. 240x170 mm. 127 pp. Original illustrated wrappers.
  212. RAMOUS, Mario. Interventi. Con dieci disegni a piena pagina di Concetto Pozzati e un'appendice di Gianni Scalia. Bologna, Edizioni Geiger (“Sperimentale nr. 5”), 1968. 210x210 mm. Illustrated wrappers.
  213. ROCHE, Maurice. Compact. Roma, Lerici Editore, 1970. 210x140 mm. 167 pp. First edition in Italian (Carla Vasio transl.). First edition: Paris, 1966. Original illustrated wrappers.
  214. RUBIN, Jerry. Do it! Fallo! Sceneggiatura per la Rivoluzione. Prefazione di Eldridge Cleaver. Collaborazione di Jim Retherford e Nancy Kurshan. Milano, Milano Libri, 1971. 205x140 mm. 256 pp. Original illustrated wrappers. First edition in Italian (first edition: 1970).
  215. RUBIN, Jerry. Siamo tanti! Introduzione: Franco Quadri. Roma, Arcana editrice, 1973. 200x140 mm. 204 pp. Original illustrated wrappers. First edition in Italian (first edition: 1971).
  216. RUBINO, Giovanni-COSTA, Corrado. Mortedison. Cos'è nocivo. Assemblea autonoma di Porto Marghera. Roma, Editrice Magma, 1973. 215x125 mm. Original illustrated wrappers.
  217. S.P.A. 12.5.1972-15.5.1975. Roma, S.p.A. c/o C. Prudente, 1975. 296x198 mm. Over 300 leaves printed on recto only, including several fold out plates, illustrated throughout. Original printed wrappers. Contributions by C.M. Benvenuti, T. Catalano, P. Mangogna , F. Falasca, G. Croce, M. Diacono, J. Ruddy, F. Mauri, L. Triunfo, R. Barry, R. Filliou, V. Agnetti, C. Romeo, L. Pascucci, C. Prudente, V. Zini, R. Albanese, F. Clemente, C. Costa, P. Hutchinson, Arcelli e Comini, A. Davis, T. Smith, A. Boetti, Th. Woodruff, D. Rabinowitch, Christo, etc.
  218. SAFFARO, Lucio. Teoria de l'Est. Roma, Lerici Editore (Marcalibri/ 14), 1969. 240x170 mm. Original illustrated wrappers with dust jacket.
  219. SANGUINETI, Edoardo. Opus metricum. 1951-1959. Milano, Rusconi e Paolazzi, 1960. 202x145 mm. 97 pp. Original illustrated wrappers with original illustrated wraparound and transparent dust jacket. Loose inside an editorial prospectus of “I Quaderni del Verri”.
  220. SANGUINETI, Edoardo. Triperuno. Milano, Feltrinelli, 1964. 213x140 mm. 88 pp. Hardcover with dust jacket.
  221. SAPORTA, Marc. Composizione n. 1. Roma, Lerici, 1967. 190x120 mm. Volume made of loose leaves printed only on recto with printed wrappers, slipcase and wraparound. First Lerici paperback edition. First edition: Paris, 1962.
  222. SARENCO. Achtung Dichter. Bologna, Sampietro, 1972. 165x115 mm. 18 loose leaves as issued in an illustrated portfolio. Series “Underground (Eugenio Miccini, ed.).
  223. SCALISE, Gregorio. L'erba al suo erbario. Geiger a/1. Torino, edizioni Geiger (Castelfranco Emilia, Litografia Gualdi), 1969. Folding broadsheet printed on recto only (640x480 mm). Limited edition of 1000 copies. Inscribed by the author.
  224. SCHWARZ, Arturo, ed. Marcel Duchamp. Grafica e ready-made. Cento, Ed. SIACA Arti Grafiche, 1971. 205x215 mm. Original printed wrappers (detached). Exhibition catalogue: Ferrara, Galleria civica d'arte moderna, Palazzo dei Diamanti, 19 marzo-9 maggio 1971.
  225. SETTE ARTISTI ITALIANI. Pisa, Palazzo Gambacorti, 10-20 ottobre 1983. 235x165 mm. 35 pp. Original illustrated wrappers. Vinicio Berti, Paolo Giuliani, Riccardo Guarneri, Eugenio Miccini, Gualtiero Nativi, Maria Luisa Pignatelli, Lamberto Pignotti. Exhibition catalogue with invitation card.
  226. SPATOLA, Adriano & Maurizio, ed. Geiger 5 - Antologia. Torino, Edizioni Geiger, 1972. 294x217 mm. Illustrated wrappers. Copy 325 of 500.
  227. SPATOLA, Adriano & Maurizio, ed. Geiger 6 - Antologia ipersperimentale. Torino, Edizioni Geiger, 1974. 294x217 mm. Illustrated wrappers. Limited edition of 300 copies.
  228. SPATOLA, Adriano & Maurizio, ed. Geiger 7 - Antologia ipersperimentale. Torino, Edizioni Geiger, 1977. 294x217 mm. Illustrated wrappers. Copy 140 of 300 copies.
  229. SPATOLA, Adriano & Maurizio, ed. Geiger 8 - Antologia ipersperimentale. Torino, Edizioni Geiger, 1979. 294x217 mm. Illustrated wrappers. Copy 182 of 300 copies.
  230. SPATOLA, Adriano. Diversi accorgimenti. Torino, Geiger (p/25), 1975. 158x108 mm. 77 pp.  Original printed wrappers. With a b/n portrait of Adriano Spatola by Giuliano Della Casa.
  231. SPATOLA, Adriano. L'oblò. Romanzo. Milano, Feltrinelli, 1964. 205x127 mm. 144 pp. Original illustrated wrappers. First edition of Spatola's first novel.
  232. SPATOLA, Adriano. La definizione del prezzo. Disegni di Giuliano della Casa. TamTam, Edizioni Martello, 1992. 240x170 mm. 65 pp. Original illustrated wrappers.
  233. SPATOLA, Adriano. Various Devices. Poems of Adriano Spatola edited & translated by Paul Vangelisti with an afterword by Luciano Anceschi. Los Angeles & Fairfax, The Red Hill Press, 1978. 230x140 mm. 112 pp. With a portrait of Spatola by Giuliano della Casa as a frontispiece. Original illustrated wrappers. As all copies, signed by the author on title page.
  234. SPATOLA, Adriano. Zeroglifico. Torino, Geiger (p/20), 1975. 158x108 mm. 18 pp. and 12 plates. Original printed wrappers. First edition: Bologna, Sampietro, 1966.
  235. SPATOLA, Maurizio, ed. Geiger 4 - Antologia. Torino, Edizioni Geiger, 1970. 217x217 mm. Original illustrated wrappers.
  236. STUDIO SANTANDREA-MILANO. Poesia visiva 4 “il gesto poetico” dal 31 marzo 1977. caruso diacono martini s.m. mussio. Milano, Studio Santandrea (no. 66), 1977. 220x90 mm. Limited edition of 600 copies.
  237. TAM TAM 10/11/12 Rivista Trimestrale di Poesia (Adriano Spatola & Giulia Niccolai, eds.). Torino, Edizioni Geiger 1976. 165x11 mm. 160 pp. Original illustrated wrappers.
  238. TAU/MA. Edited by Mario Diacono and Claudio Parmiggiani. Reggio Emilia-Bologna, Achille Maramotti, 1975-1981. 7 issues (all published) each consisting of several publications preserved in cardboard boxes (303x215 mm). I (Reggio Emilia, November 1975): Mario Diacono, Hypercalipsis (1973); Claudio Parmiggiani, Heraclitus (1973); Gian Pio Torricelli, Stechiotrono (1964); Gian Pio Torricelli, Eubasé o follia (1964-1974); Bernard Bauhus, Libro di un solo verso (1617). Print run: 500 unnumbered copies and 100 copies for the editors, numbered I-L and signed them. II (Reggio Emilia, June 1976): Vito Acconci, Plot (1974); Luigi Ballerini, The book of the last of the Mohegans (1975); Julien Blaine, Autopsies (1975/1967/1976); Heinz Gappmayr, Aspekte (1975/1976); Giovan Battista Della Porta, Steganografie (1602), M. Diacono, ed.; Jirì Kolár, Gersaints Aushängeschild (1966). Print run: 500 unnumbered copies and 50 numbered copies for the editors. III (Reggio Emilia, March 1977): Haroldo de Campos, Il M ago dell'Om ega (1955-1956) together with Regina Silveira, Labirinti (1971); Emilio Villa, Alphabetum coeleste (1976); Agnes Denes, Paradox and essence (1976); Raimondo di Sangro, Parole Maestre (1750). Print run: 500 unnumbered copies and 50 numbered copies for the editors. IV (Reggio Emilia, September 1977): Joan Jonas, Mirage 1976; JCT, Thothality (1973/1974); Adalgisa Lugli, Teatro delle misure e dei prodigy (1977); Ladislav Novak, Testi (1976); Emilio Prini, Zwei Texte; Adriano Spatola, Cantico delle creature; Aleksej Krucenych, Semivivo (1913). Print run: 500 unnumbered copies and 50 numbered copies for the editors. V (Reggio Emilia, January 1978): Luciano Caruso, Piccola teoria della citazione (1974); Jochen Gerz, Paul M. (1969-70); Madeline Gins, Intend (1973); Giulia Niccolai, Facsimile (1976); Richard Nonas, What do you know? (1977); Michelangelo Pistoletto, Le stanze (Ottobre 1975 Settembre 1976). Lacking Francesco Cangiullo, Caffeconcerto/Alfabeto a sorpresa (manoscritto). Print run: 500 unnumbered copies and 50 numbered copies for the editors. VI (Reggio Emilia, December 1979): Luciano Bartolini, Kubla Khan; JCT, Maza (1975-76); Adriano Malavasi, Storie vere ed extravere (1972); Edoardo & Federico Sanguineti, Papiro (1978); Carlo Severi, Anticatarsi (1975-1979); Patrizia Vicinelli, Apotheosys of schizoid woman (1969/1970); El Lissitzkij, Di 2 quadrati (1922). Lacking Baldassarre Bonifacio, Musarum liber XXV/Urania. Print run: 500 unnumbered copies and 50 numbered copies for the editors. VII (Reggio Emilia-Bologna, October 1981): Chlebnikov inedito; TAU/MA 7. Copy 188 of 1100. The journal, presented by the editors as a "post-review devoted to creativity in all its forms", is basically a collection of "original works that allude to the book, but transcend the book in the mainstream and common sense of its use"; these works are united by a common "tension towards the visualization of discourse." All of the texts published by Tau/Ma therefore turn out to be "artist's books," "no matter whether they are a simple documentation of a performance [...] or installation [...], whether they constitute original texts of visual writing [...] and verbal poetry [...], or whether, finally, they are presented as ideological-conceptual works [...], typographical concretions of sculpture [...] and of writing and image" (Tau/Ma, no. 5, 1978). Maffei-Peterlini, Riviste d'arte e d'avanguardia, pp. 144-145.
  239. TECHNE (first issue). Eugenio Miccini, ed. Firenze, Techne, 1969. 340x240 mm. 58 pp. First issue. Stab-stapled illustrated wrappers (a bit worn). Featuring several tipped in plates, including “Poesia sotterranea poesia trovata” by Franco Vaccari, two small silk-screened posters, and a large piece of photostat film. Text Italian, English, and German.
  240. TORRICELLI, Gian Pio. Dunque Cavallo. Bologna, Sampietro, 1965. 200x200 mm. 26 pp. Original printed wrappers.
  241. TOTI, Gianni. Chiamiamola Poe Metànoia. Roma, Carte Segrete, n.d. 198x128 mm. Original printed boards.
  242. TRANSPADANA 1997 I. Cronache Racconti Antropologhie. Reggio Emilia, Diabasis, 1997. 240x160 mm. 245 pp. Original illustrated wrappers. Texts by Giovanni Guareschi, Vinicio Capossela, Giuseppe Pederiali, Cesare Zavattini, etc. Photographs by Luigi Ghirri.
  243. TROVATO, Roberto. Poetare. Roma, Arti Grafiche Jasillo, s.d. 180x110 mm. 87 pp. Original illustrated wrappers.
  244. UNIVERSITÀ DEL PROGETTO. Poesie terapeutiche. [Reggio Emilia, 1991]. Complete collection of 7 packages preserved in a box. The “Poesie terapeutiche” (‘Therapeutic poems') are actual packages, similar in all aspects to medicine packages, which, however, contain, enclosed in sachets, poetic texts complete with an information leaflet instructing the user of the therapeutic poem on the composition, characteristics, posology and mode of use, warning him also of possible counterindications. Box slightly damaged (perfect inside).
  245. VACCARI Franco. Il costruttore di orchestrine. Bologna, Galleria de' Foscherari, 1976. 296x210 mm. Original side-stapled printed wrappers. Printed for the exhibition held at the Galleria de' Foscherari on March/April 1976. Text by Pietro Bonfiglioli. 9 b/w illustrations.
  246. VACCARI, Franco-GUALDONI, Flaminio. Ossessioni / Obsessions / Obsessions. Milano, Fabbri Editori (Valle d'Aosta Cultura), 1990. 220x245 mm. 79 pp. Illustrated wrappers. Exhibition catalogue.
  247. VACCARI, Franco. 3 esposizioni in tempo reale. 3 Exhibitions in actual time (1969-1971). Modena, Tipo-Lito Toschi, 1972. 215x207 mm. 48 pp. Original illustrated wrappers. Limited edition of 500 copies.
  248. VACCARI, Franco. Duchamp e l'occultamento del lavoro. Modena, S.T.E.M. Mucchi, 1978. 214x160 mm. Printed wrappers.
  249. VACCARI, Franco. Entropico. Bologna, Sampietro, 1966. 200x200 mm. Original illustrated wrappers.
  250. VACCARI, Franco. Esposizione in tempo reale n. 9: i sogni. Brescia, Edizioni Nuovi Strumenti, 1975. 225x165 mm. Limited edition of 1000 + 100 signed copies. Side-stapled printed wrappers.
  251. VACCARI, Franco. Esposizione in tempo reale N° 16 “Dirottamento di progetto” Varsavia, notte dal 2 al 3 Aprile 1978 Galleria Remont, in: “Studio Marconi 6/7”, Milano, novembre 1978. 207x150 mm. Original printed wrappers.
  252. VACCARI, Franco. Esposizione in tempo reale n° 21. Bar Code - Code Bar. Testo di Viana Conti. Milano, Archivio di Nuova Scrittura (Modena, Lito-Tipografia Paltineri), 1993. 250x210 mm. Original illustrated wrappers. Copies no. 44 of 50 signed by the author.
  253. VACCARI, Franco. Esposizione in tempo reale. Exposition en temps reel. Austellung in wirklicher Zeit. Exhibition in real time. Pollenza, Nuova Foglio Editrice, 1973. 275x215 pp. Original linen-backed illustrated boards. Edited by Renato Barilli.
  254. VACCARI, Franco. Fotografia e inconscio tecnologico. Modena, Edizioni Punto e virgola, 1979. 210x150 mm. 120 pp. Original illustrated wrappers.
  255. VACCARI, Franco. Franco Vaccari. Milano, Studio Marconi, gennaio 1984. 280x203 mm. Original side-stapled illustrated wrappers.
  256. VACCARI, Franco. La scultura buia. Piacenza, Centro documentazione visiva, 28 marzo 1968. 230x207 mm. Original printed wrappers.
  257. VACCARI, Franco. Le “Immagini captate” di Franco Vaccari. Text by Gillo Dorfles. Milano, Collezione “Le presenze” della Galleria Blu, 1970. 235x17 mm. 16 pp. With two photographic illustrations printed on a transparent plastic leaf facing a sheet of silver mirrored paper. Original side-stapled illustrated wrappers.
  258. VACCARI, Franco. Le tracce. Poesia anonim'a. Bologna, Sampietro editore, 1966. 220x220. Original linen-backed illustrated boards. Copy no. 298 of 1000.
  259. VACCARI, Franco. Per un trattamento completo. Modena, Tipo-Lito Toschi, 1971. 190x145 mm. Original printed wrappers. Limited edition of 400 unnumbered copies. Signed by the author.
  260. VACCARI, Franco. Playing card. Reggio Emilia, Pari Editori & Dispari, 1972. 110x70 mm. “Fante di denari” (‘Jack of deniers'). € 150,00
  261. VACCARI, Franco. Strip-street. Paris, Éditions Agentzia, 1969. 200x105 mm. 104 pp. Original illustrated wrappers. B/w photographic illustrations & visual poems throughout. Limited edition of 500 copies.
  262. VACCARI, Franco. Viaggio sul Reno Settembre 1974. Brescia, Edizioni Nuovi Strumenti, 1976. 160x208 mm. Original side-stapled printed wrappers. 11 photographs. (2 copies)
  263.  VILLA, Emilio-CEGNA, Giorgio. Lettera e Risposta. Romanzo di Emilio Villa - Giorgio Cegna. Pollenza, La Nuova Foglio S.p.a., 1971. 342x244 mm. 78 pp Illustrated wrappers (in the original transparent shipping bag). Limited edition of 120 copies.
  264. VILLA, Emilio-COSTA, Corrado. [Front cover:] Phrenodiae quinque de coitu mirabili. Emilio Villa per Corrado Costa. [back cover:] Il Mignottauro. Corrado Costa per Emilio Villa. Pollenza, La Nuova Foglio S.p.a., 1971. 342x244 mm. Illustrated wrappers (in the original transparent shipping bag). Limited edition of 200 copies. (another copy without the shipping bag)
  265. VILLA, Emilio-CRAIA, Silvio-CEGNA, Giorgio. Le Idrologie. Macerata-Roma, Casa editrice d'arte Foglio OG, 1968. 160x237 mm. Photographs by Roberto Gaetani. Limited edition of 200 copies with the original boards printed in different colors (the present is the green and orange version).
  266. VILLA, Emilio. Brunt H. Options. 17 eschatological madrigals captured by a sweetromatic cybernetogaming vampire, by Villadrome. Macerata-Roma, Foglio Editrice ‘Arte, 1968. 234x154 mm. Original illustrated boards. Limited edition of 220 copies.
  267. VILLA, Emilio. Green. An occasional magazine published and edited. Pollenza, La Nuova Foglio, 1971. 343x496 mm. Original illustrated wrappers. Limited edition of 120 copies. Copy numbered 1 as all copies.
  268. VILLA, Emilio. Heurarium. Roma, Edizioni EX, 1961. 329x242 mm. 74 pp. Illustrated wrappers.
  269. VILLA, Emilio. Hisse toi re d'amour da mou rire. Torino, Geiger (p/18), 1975. 158x108 mm. Illustrated wrappers.
  270. VILLA, Emilio. L'homme qui descend quelque: roman metamytique. Con 6 tavole xilografiche di Claudio Parmiggiani. Roma, EITI Editrice Magma, 1974. 215x128 mm. 60 pp. 6 plates by Claudio Parmiggiani. Softcover.
  271. VILLA, Emilio. The Flippant Ball-Feel. Piacenza, Stampa Gi-Bi, 1973. 213x152 mm. 22 pp. Original illustrated side-stapled wrappers. Limited edition of 600 copies. Emilio Villa's Flippant Ball-Feel text was composed and published on the occasion of the “Flippers Chimeri” by Corrado Costa and William Xerra, exhibited in the contemporary gallery of the Mana Market Hall in Rome.
  272. WILLIAMS, Jonathan. Affilati attrezzi per i giardini di Catullo [Sharp Tools for Catullan Gardens]. Milano, Lerici Editori, 1966. 210x125 mm. 121 pp. Original printed wrappers. Poems in English and Italian.
  273. XERRA, William. Contiamo i minuti. Piacenza, Tecnostampa, 1976. 296x195 mm. [58] pp. Original printed wrappers with black dust jacket (spine worn). Copy 316 of 360.
  274. ZAC, Pino. Questo popolo di…. Roma, Carucci editore, 1961. 235x105 mm. 2 volumes inside the illustrated wrappers.
  275. ZANNINO, Adriano. Superegg. Roma, Lerici editore (Marcalibri/5 a cura di Magdalo Mussio), 1968. 238x170 mm. Original illustrated wrappers with wraparound.

[11017]

We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho
We offer a collection of 288 publications (including 13 doubles) concerning the Italian branch of the so-called "Visual Poetry" movement, born at the beginning of 1960s within the literary experimentations of the "Gruppo 63" and including artists and scho